Man with a Movie Camera
Collectively authored cut-for-cut remake of the 1929 film of the same name through the lens of internet-based aesthetics. Drawing a lineage from the experiments of Soviet montage to contemporary trends such as sludge content, desktop documentary, corecore, and database cinema, Man with a Movie Camera (2025) attempts to reinvigorate the popular avant-garde project of a universal cinematic language which was originally developed almost a century ago by Dziga Vertov and The Kinoks.
Gatunek muzyczny:
Odlew: Ella Marcs, Francisco Espinoza
Załoga: Tanner D. Masseth (Producer), Blake Robbins (Producer), Esteban Alarcón (Director), Esteban Alarcón (Editor), Hank Allen (Director)
Słowo kluczowe:
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